Sunnaudio is a team of professional engineers and musicians with 40+ years of combined experience in live performance, design, and studio work. Our goal is to provide a variety of no-compromise solutions that bring out the best sound from your instrument.
Our line of preamps and electronics are engineered to give you the best sound plus the technical features to meet demanding live and studio applications. Every model features unmatched dynamic range, full bandwidth, and quick harmonic response. Every time and any time you play.
Let your music shine. That is our one simple goal.
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Rabbithead™ Pre-amp Overdrive Pedal - Now Available!
use with Acoustic instruments, passive or active pickups, electric or acoustic guitar, bass guitar, electric violin etc… Rabbit don’t care!
The Rabbithead™ RH-1 is a versatile all analog pre-amp that offers multiple tonal features for various instruments.
Add saturation to your clean tones in Mix Mode or used independently for a variety of tones.
Two switchable overdrive settings along with our Rabid™ grizzled distortion mode. World class overdrives that provide dynamic sounds to cut through the mix, or dial in some smooth lead tones.
Bass guitars achieve true organic amp-like tones with the mix mode.
Balanced 1/4” output with speaker sim, second simultaneous output for guitar amp, transformer-less, and ultra quiet
The RH-1 also works wonderful with other drive pedals
Sunnaudio Custom Shop offers more features and specific control of our products. Contact us for additional details and available custom mods.
Pure analog 2 Channel preamp. Both Ch1 and Ch2 are compatible with popular guitar pickup and pickup systems including piezo, magnetic, and condenser.
Automatic routing of 2 sources from a single TRS input cable or from 2 separate input cables
Ch2 is compatible with active microphones with a Mic Power switch and internal adjustable gain.
Separate Pre and Post MS decoder effects TRS inserts for both channels
Adjustable highpass filter, bass and treble tone controls for both channels
Pushbutton configurable operation for summed mono, independent 2-channel, and 2-channel Mid-Side decoded stereo modes
48V phantom** and internal battery operation. LED system power monitor.
Mute and optional boost foot switch
Active balanced XLR outputs and passive TRS balanced outputs for both channels
Ultra quite, high 108dB dynamic range**
Clear, full, rich, complex overtones with total 2 channel flexibility
Very compact 5.6”W x 4.7”L x 2.7”H size
Featured in Acoustic Guitar Magazine Gear Review December 2018 Issue!
Just like our TD-1 Tone Driver, the DI-1 offers the same clear, full, rich, and complex overtones with Bass, Treble and Volume controls.
Effects Loop, balanced XLR out, transformer-less, and ultra quiet
Excellent for live situations and studio use
Variable sub-harmonic bass adjustment optimal for adjusting low bass sub woofer frequencies.
Smooth, full, rich, complex overtones with Bass, Treble and volume controls
Excellent for live situations and studio use
Variable sub-harmonic bass adjustment optimal for adjusting sub woofer response
Fixed line output pre--amp with unity gain
Deep, clear, and rich harmonic sound
Tremendous dynamic range
Low order harmonics, perfect for recording
Optional volume control available
Achieve perfect balance with 2 or more transducers and also magnetic pickups
Ideal for instruments with wide bandwidths
Deep bass with defined string attacks and natural overtones
Gear Review: Sunnaudio Stage DI
November 5, 2018
From the December 2018 issue of Acoustic Guitar | BY DOUG YOUNG
Sunnaudio is a relative newcomer to the market, offering boutique preamps designed for acoustic instruments. The California company makes four products with similar electronics and sound quality, but with different form factors for different applications. The Stage DI ($299) is a standalone unit with volume, bass, and treble controls; XLR and 1/4-inch balanced outputs; and an effects loop. The TD-1 Tone Driver ($179) mounts inside the guitar to support a passive pickup system. The BL-1 Blender ($169) is an onboard preamp for dual-source pickup systems, while the LD-1 Line Driver ($119) is an endpin preamp, with an optional volume control. All of these preamps are battery operated, although the Stage DI can also be phantom powered.
For testing the Stage DI, I used pickups from K&K, Dazzo, Barbera, and McIntyre. The preamp was clean and very quiet, while providing enough gain (12dB) for low-output pickups, as well as a 5 Megohm input impedance to accommodate piezo pickups. The Stage DI’s frequency response is tuned to complement acoustic guitars. Its bass and treble controls offer gentle boosts and cuts, allowing you to tailor the sound to taste while avoiding extreme EQ. This results in a good tone regardless of setting, while still offering a range of sounds.
The frequencies of the tone controls are well chosen and very effective, and the preamp has an intangible vibe that is musical and pleasant to play through. Sunnaudio preamps should especially appeal to any guitarist who wants to put together a high-quality pickup system based around a passive transducer, although the Stage DI would also be appropriate for a player with an active pickup system. sunnaudio.com
This article originally appeared in the December 2018 issue of Acoustic Guitar magazine.